I Don’t Lie, I Embellish!

by Mary Boalt

Do you get excited by the unexpected addition of hardware on clothing? Perhaps something unusual for closures? Or something ordinary used in an unordinary way?  I’m a sucker for all of it. The weirder the better. I love those clever details that make a garment unique.

Let’s start with some images from Pinterest and go from there. I’d love to know what kind of staples these are. I would definitely start stapling my clothes together.

Or these! What cool buckle/clips!

And now let’s move on to grommets with a kind of jump ring to connect the pieces. Or not.

Or laces.

And this from Diane Ericson. I’ve used grommets before but not quite like this. This darling idea is going on the list of things to try very soon. This type of grommet is extremely easy to install. You can find them in the drapery section at Joann.

And now for things that I have tried. These parachute clips will be revisited on another garment. They were easy to add and I like the way they work.

This is Butterick 6381. I added the hanging pocket.

This one keeps the hanging pocket closed.

This is a Marcy Tilton pattern from Vogue. #8934.  It’s a preprinted stretch denim that I found at an outlet store in San Francisco a few years ago. The idea to use carabiner clips came from my friend Helen. She has been known to sew door hinges onto her garments!

The back features a giant “snack pocket” with the upper flap piped with zipper teeth.

And speaking of zippers…..I found these zippers at the same place I bought this fabric. My sister, who lives near Phoenix, takes me to SAS fabric warehouse. We humorously refer to it as the Topless Bar Fabric store since it is around the corner from….you guessed it, a topless bar. But hey! Fabric can be purchased by the pound there! What’s not to like about that?

Zippers closed.

Zippers open.

Again, zippers used as trim on the outside of the pocket opening.

I bought this bicycle panel from Diane Ericson and then went to work adding the hardware; zippers, brass jumbo hook and eye tape and iron on metal dots.

This is the zipper that goes to no where. It’s just trim.

This is jumbo hook and eye tape. And a shirt “borrowed” from my husband.

Grommet tape down the sleeve.

No piece of zipper goes to waste. This extension is inserted in the collar and wraps around and snaps in place to keep the collar closed.

This is The Peony Vest from The Sewing Workshop.

Interesting button found at Ben Franklin in Grass Valley. It’s layered with a copper button that was gifted to me.

And the addition of grommet tape with jump rings. This comes in black or white at Sugar Pine Quilt Shop in Grass Valley.

Here’s another of Diane Ericson’s fabric panels. This time the Snap To It Jacket pattern from Louise Cutting was used. Along with lots of snap tape and the addition of another hanging pocket. Yup! Gotta love those hanging pockets…..an idea gleaned from a Diane Ericson pattern. Can you say “groupie”?

Snap tape in the split cuff.

One more. And yes, it’s another Diane Ericson jacket. The Ventana. I used cafe rings and clips for the front closures as well as for the side flaps that wrap around to the front. It’s a very interesting pattern that just screams for cool hardware.

Have you been inspired to put some hardware in your next garment? Use zipper teeth as piping? How about some drapery hooks or grommets. Although I can’t quite bring myself to use door hinges, there is some garter tape in my stash that’s calling my name.

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Cooped Up Inside

by Mary Boalt

Oh this rain!!! It feels like day 40 of The Great Deluge. The sun has not made an appearance in about a week now and I’m not one who enjoys going out in the “wetness”. What an opportune time to catch up on some sewing projects. The first one was the last to be added to the list. I just couldn’t wait to try out this pattern that my friend, Jenny, made from our retreat in October. It is absolutely the most snugly garment I own. Perhaps you remember these pictures from my fall blog.img_2759img_2754img_2755img_2756img_2760img_2758I love that this can be worn so many ways.

The first one I made from a reversible gray polka dot knit. Sorry, no pictures. I made it for a friend who admired it from the blog. The second one is made from a gray ponte knit which was printed from my ever expanding supply of stencils.img_3345img_3365img_3368img_3375Because this is a single layer of knit, I layed down a single strip of fabric so that the buttonholes would be reinforced. I did the same for the row of buttons.img_3384

And two patch pockets added on an angle.img_3385

If you are interested in this pattern, you may contact Jenny Freedman at freedman@cruzio.com. It takes 3 yds at 60″. It’s a great blank slate for embellishment.

The next garment was made from my stash. This piece of fabric was purchased in Paris about two years ago. I just fell in love with it but decided it was time to get something made from it. The pattern is an oldie for sure. But I wanted straight lines because of the stripe in the fabric. I have not finished it yet. I am waiting for a third set of buttons to show up in the mail.img_3358img_3383img_3382I hope our readers are mulling over their choices for our next Zephyr Retreat. I have already received my first deposit from a student. I’m so excited. All the stencils you saw in this post will be available for use in my Painting on Canvas class. I’m up to about 65 stencils and about to order more!

I hope this post finds you staying warm, dry and possibly enjoying some sunshine.

Going Postal

by Mary Boaltimage

I see potential in things about to be discarded. For some reason I feel I must rescue them from their demise. And it’s not because I have tons of time or the skills to refurbish them. I just love a makeover and want them to be pretty before I send them off to a new life. So last spring when my sister sold her home of 25 years, I agreed to take the ugly dresser that had been living in her garage. It had become a tomb for used golf balls, old party favors and an odd assortment of those mysterious leftover parts from DIY furniture. She had acquired the dresser in high school and it had been protected by a thick coat of “hello yellow” paint along with “go go boot” white trim and wooden knobs. It was in remarkably good shape for an inexpensive piece of furniture from the hippie era.image

But chalk paint has become all the rage and it just needed a coat of the latest fad lovingly applied to it. A rich taupe. With black stencils. Postal stencils. French postal stencils with script. Yes, that was the look I wanted.

It was simple to pick up the paint and coordinating wax locally. Pricey but worthy of this new painting experience. Some reasonably priced black paint from the hardware store was planned for the insides of the drawers. But the stencils? Much research on the internet finally proved fruitful when I discovered etsy. And there they were! Exactly what I wanted. Three large stencils. Each with its own very large price tag. For a brief moment I even considered cutting my own stencils to cut costs. However, when my husband reminded me that I’m known by name in the emergency room, I ruled that out. I do not have a good track record with sharp instruments.

With all my tools and supplies ready I cleaned the dresser, painted it inside and out, quickly applied the stencils, waxed it and installed nice new drawer pulls. It was now ready for a beautiful new life. Apparently a life with me. After an unusually successful yard sale, I still own it. Sigh.  Perhaps the fact that I had pulled it barely three inches out of the garage might have made its availability questionable.imageimageimage

 

But those stencils. I still twitch when I think how much I paid for them. So I decided that they will find their way into all my artwork. I’ve stenciled them onto painted canvasses. Some of those canvasses have been made into purses. I decorated some clothing with them. And now I am currently accepting ideas on more ways to use them. Perhaps decorate my own postal receptacle with them. Anyone out there have ideas?

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Here are some photos of a plain white blouse makeover using the stencils and embroidery thread.imageimageimageimageimage

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This last picture of painted and stenciled canvas is an example of what I’ll be teaching at the Zephyr retreat in September. image

Announcing our Artistic Alchemy Retreat 2016

We have exciting news! Christine, Heidi and Sandra wish to announce the addition of Mary Boalt to Artistic Alchemy. You may have been introduced to her briefly as our Artist-in-Residence last year at Zephyr, or by her first blog post last week. We are over-the-moon happy, as Mary brings wonderful skills and creativity to our group, and they dove-tail perfectly with the three of us. If you do not know about Mary, you’re in for a treat. Welcome, Mary!

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We’re also delighted to announce the workshops for our 2016 Artistic Alchemy Retreat, September 5-9. Many of you have been asking about it, and all the info you need is now available via the link above. Please read carefully the description and supply list for the workshop you’re interested in, and let us know if you have questions. Class size is limited and spaces are reserved by deposits taken. We welcome Open Studio students as well. Here are brief descriptions of our workshops:

A portion of a Japanese X Plus block in Kaffe Fassett prints

A portion of a Japanese X Plus block in Kaffe Fassett prints

Christine Barnes: Color is a delight—and a challenge—for every quilter. Come learn how to conquer color in Christine’s new workshop, “It’s All About Color!” Mock-block exercises acquaint students with three simple concepts and the color wheel (an amazing tool for quilters). You’ll then put the theory to work in a quilt project using one of Christine’s designs or your own pattern.  All levels, all styles, though the emphasis will be on modern fabrics used in both modern and traditional quilt designs. Lots of individual attention from Christine and class critique of every exercise will leave you with a new understanding and love of color.

 

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Rosemary’s bear project from the Zephyr 2015 Retreat

Sandra Bruce: Back by popular demand is Material Matrix. If you have taken my class in a guild or a shop class setting, or have seen my work and want to try you own image using my technique, this is your chance. (Heads up: my 2017 workshop will most likely be polymer and not Matrix.) This workshop is for intermediate to advanced sewers. Come learn something completely different and challenge yourself to a new technique.

 

IMG_20150409_160828Heidi Emmett: “Off the Grid Vest” is what we will be making in my wearable art workshop. Last year’s students were so successful! I can’t wait to show you how easy it really is to create your very own Art to Wear piece that will be a showstopper every time you put it on. This workshop is perfect for advanced beginners on up.

 

IMG_1521Mary Boalt: “Painting on Canvas & Painting on Steam-a-Seam” is for those who have no painting skills but want to produce a work of art. We will be layering paint, stencils, stamps, and hand applied details on canvas. You can choose how to use your canvas when you return home—will it be a wall hanging, a floor cloth or, like me, cut up and made into a one-of-a-kind tote or purse? Painting on Steam-a-Seam will show you how to raise your embellishment techniques to a new level of beauty and sophistication. These techniques are useful for clothing, quilts, wall hangings, purses, pouches and any number of gift items.

We hope we have piqued your interest and opened your eyes to the creative possibilities of our 2016 Retreat. Click here to be taken to the Workshops page, where you can download the registration form and see the fees and accommodation options. We’d love to have you join us at Zephyr this September—we can hardly wait!

 

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Dreadlock Scarf

By Mary Boalt

Hi! Let me introduce myself. I’m Mary Boalt and happy to be included in the very talented group of Artistic Alchemy women. What an honor and privilege to be asked to teach and share what I love alongside those who have such amazing gifts and talents unique to themselves. Together I think we bring an opportunity for many of you to explore your own creative journey and experience some alternative avenues of self expression.

My journey began with my mother teaching me to sew, and I’ve been sewing all of my adult life. About 25 years ago I was bit by the wearable art bug. I loved that I could create clothing that was one of a kind and could be embellished in hundreds of different ways. Oh the details! The beads! The stitching! The tucks and pleats! The piping and cording! Not to be forgotten the buttons, snap tape, jumbo hook and eyes! Couching yarns and ribbons! The embellishments are never ending, and I love deciding which ones I’ll use in my next garment.

Yes, I love beautiful textured yarns and I do buy a fair amount of them. However, I do not knit or crochet. Which brings me to my post today.

This yarn caught my eye when I saw it stuffed in a bottom bin at a Tuesday Morning. Only one skein of the most beautifully colored “dreadlocks” I had ever seen and it had to be mine! I’m sure you’ve all had that moment. (Maybe not the dreadlocks part but the color, texture or sparkle of some precious treasure.) I didn’t know at that time if I would ask my sister, who DOES crochet, to make me a scarf or if I could figure a way to use it somehow. So it finally came to me, a scarf made using water-soluble stabilizer. This method has been around a while as I once taught a class using these products. With some supplies left over I began.MB 7Here are some products I had in my stash. I used the Mokuba because it includes both the soluble adhesive and the soluble film. (I bought it at a fiber-art store that is now out of business.)MB 8The first thing I did was to flatten out the yarn a little with the iron and some steam.MB 9I laid the yarn in long lines on the adhesive side. Then I placed the film on top. The advantage of leaving spaces is that the film will stick to the adhesive and you won’t need to use pins to keep everything in place.MB 4

MB 5After choosing some beautiful rayon embroidery threads, off to the sewing machine.MB 6I sewed across the horizontally placed yarn in about 1/2-inch lines.MB 1Then to the sink to rinse it all out. It all washes away and you’re left with yarn held together with all the stitching. I let it dry and then pressed it out a little. That’s all there is to it.MB 3Hope you’ve enjoyed this post. See you next time!