Gray Is Good for Quilts!

by Christine Barnes

My title is a bit tongue in cheek, but until the Modern Quilt Movement took hold, gray was a bit of a color outcast, considered drab and unimaginative. No more! I thought it would be fun to show several quilts from QuiltCon that used gray effectively.

The first, “Twisted Tulips” by Jacquie Gering, is a wonderful example of colors looking more intense in the company of grays and black. There’s a suggestion of transparency, too, especially in the lower left. Fabulous quilt!Twisted Tulips by Jacquie GeringWhat looks like a gray fabric in the quilt below, “Modern Fans” by Suzy Williams is a narrow black-and-white stripe. From a distance, your eye mixes the two neutrals to make gray. The directions for making this quilt are in Modern Patchwork’s special issue on QuiltCon. I got my copy at JoAnn.Modern Fans by Suzy Williams, quilted by Quantum QuiltsJennifer Sampou made this delightful wedge quilt, using her fabrics. The different values and random placement of the grays make this classic design dance.Octagon Shimmer by Jennifer Sampou. quilted by Jocelyn MarzanChanging gears, unless you are new to our blog, you know how much I love ombrés, and one of my favorites is the gray Gelato #714. It’s subtle and sophisticated, and as a “neutral” (not considered a color) gray makes colors seem richer and more intense. Following are four blocks I’ve made for a new quilt, “Urban Sunsets.” (I’ll be teaching this quilt at Sugar Pine Quilt Shop on May 29. Email me for details because the info isn’t on the shop website yet.)

You’ll see right away that the value shifts in this gray ombré have a bearing on the colors/patterns you choose for the center units. The left fabric in the center must separate visually from the gray border it touches, and the right fabric must separate from the gray border it touches. The patterns in these fabrics help to sharpen the outline of the center square.13a finished block! copy

The block below is my favorite so far. Doesn’t the Elin Noble hand-paintd fabric on the left look like a sunset???desert, fave, 8@ 72The block below isn’t as ethereal as the others because the middle fabric is darker in value. But I wanted violet in the quilt, and I think it will do that job nicely.purple rain, 8 @72 copyThis block has two Kaffe fabrics and a batik by Alison Glass. Without a luminous fabric, the block seems denser. I like the look—it’s just different.16 pink block @ 8 copyNote: If you subscribe to my newsletter, “Christine’s Color Connection,” you’ve seen my tutorial on adding the super-skinny strips that separate the three center fabrics. If you don’t get my newsletter, email me and I’ll send you a link to that issue.

That’s it for today. Oh, one more thing. April 30-May 1 is the Pine Tree Quilt guild show at the fairgrounds in Grass Valley. Artistic Alchemy will have a booth this year, so come to the show and meet us (and our work) in person. You can also see this year’s Opportunity Quilt, based on one of my patterns and beautifully quilted by Sandra. See you there!




Interview with Shruti Dandekar

by Sandra Bruce

Greetings everyone! First, a little business before I get into the interview…I want to let you know that my workshop in Zephyr for this September is full. I do have a waiting list going, please contact me if you want to be added to the list.

Also, I am happy to announce that we have a new page on our blog, called “Publications”, that lists the different places that the 3 of us have been published….books, articles in magazines, etc. I hope you’ll check it out!

I am writing today about my friend, Shruti Dandekar. I have to tell you how we met, as it is a testament to the power of social media. Shruti found me on Facebook, she actually saw my self-portrait quilt online and contacted me since she was considering doing a quilt portrait herself and wanted my input. We started a conversation online, one in which she was always 12 hours ahead of me 🙂 She interviewed me for her blog, which resulted in my getting a contract to teach at the Desert Quilters of Nevada in Las Vegas earlier this year.

When she told me she was coming to the US to attend QuiltCon in Austin, Texas, I encouraged her to come visit and stay at my house for as long as she could, which turned out to be about 36 hours, which we filled every moment with! As it happened, the day she was here was a MAQ meeting day (Mountain Art Quilters), which of course I had to bring her to. She did a wonderful, spontaneous talk about her career and experiences as a quilter in India. She had such an interesting perspective and all MAQ members listened intently to every word. I would call her a Modern and Art Quilter. I love the photo below that she sent me.

003 I’ll jump into my interview now, and post more pictures at the end. Here goes:

Shruti, tell me a bit about your background.

“I studied to be an Architect and practiced for 8 years before I found quilting. My discovery of quilting was completely unplanned. I had no intention of making any changes to my flourishing career. In fact, I had big dreams of continuing my studies and getting a masters degree. I wanted to be a world renowned architect. I wanted people all over the world to know my name! Well, my dream did come true! I live in a VERY small town in India with my wonderful husband Rohit, who is a businessman, my super son Aadi, who is an 8 year old budding quilter and my awesome in laws who are my biggest cheer leaders. I am glad that I come from a family which gives equal opportunities to girls and boys, which is not very common in India – especially when it comes to starting their own business. And fortunately for me I also married into a similar family. My family has always been a huge support for me.”

 Living in India, how were you introduced to quilting?
“Quilting just happened accidentally for me. I was at the peak of my career in 2009 when a bout of Chikungunya left me out of job and in severe joint pain. I started getting stuff made from old clothes – mine to start with, and soon was flooded with requests from friends and family.  There was a point when 40 women from the slums from my town were working for me. Unfortunately (or maybe it was a blessing in disguise) the venture dwindled down and I was left with my grandmother’s sewing machine (which I did not know how to use) and boxes full of ‘stash’. My cook doubled up as my teacher and taught me how to use the machine. If anything went wrong after she had gone home for the day, I had to wait till the next day for her to arrive and help me with it.
I stumbled across Elizabeth Hartman’s site ( when I was searching for a lighter sewing machine. Finding her blog was like finding a candy store! I was totally blown away. And the fact that it was all do-able was the deal breaker. I dived head long into the quilting world and haven’t even come up for air yet!!!”
 What hurdles do you have to jump over to get your hands on supplies, such as fabric, notions, and batting?
“Fortunately, fabric is available to me in plenty. And not just any fabric, some of the most wonderful, sought after fabrics that hare hand dyed or hand block printed!!! The problem was that my knowledge of fabric was very limited and I usually chose the cheapest option available. Over the years though, I have learned my lesson and am much better with fabric choices now! Other notions are hard to find. The nearest rotary cutter is 500 km away! We do get batting here, but it is not similar to what you get in the US. It has much more loft and is very similar to a medical cotton roll.”
 What is it about Modern quilts that attracts you to quilting, as opposed to more traditional quilts?
“I was first introduced to quilting by a lady who was one of the founders of the Modern Quilt Guild. It was natural to be influenced by her work. Even as an architect, I was  always more of a modernist. Clear lines, simple spaces and bold colours were always my favorite. But the main reason I was drawn towards them was actually a myth! I thought modern quilts were simple to construct. And me, with my limited sewing skills, would be able to make them easily!!! As I delved deeper into the different techniques and experimented with my limits, I realized its nowhere as easy as it looks!”
What do you think is the future of quilting, in India, and around the world?
“I have been a part of the online quilting community since 2010. Over the past 5 years I have seen trends change – Blogging was huge when I started out, but today, it has taken a backseat and ‘instant’ social media is much more popular. There have been trends in fabrics, even colours! Quilting is more widely being accepted as ‘art’ rather than a domestic skill. With people like Luke Haynes and Jean Wells breaking the barriers between quilting are art, more and more people are accepting it for what it is = an art form that involves tremendous creativity and efforts.
In India, sewing (thanks to the picture painted by Bollywood movies) still implies laborious hours spent by a woman so that she can feed her family and pay for the childrens’ education. So when an educated woman from an influential family (aka me) decided to take it up as a full time career there were many raised eyebrows! But I have managed to convince at least a bunch of people that it is something that is a ‘real thing’. (I cannot count how many times I have been told that I should stop playing around and do ‘something real’ with my life. I do see more and more educated women taking up this art form in the near future and pursuing it as a career.”
 What was it like to come to the US and attend QuiltCon? What struck you the most about the quilts you saw on display?
“My trip to the USA was a dream come true for me. I had been saving up for the trip since two years. Half of whatever I earned went into my ‘QuiltCon Savings Account’ irrespective of my expenses for the project. I have even put aside Rs 5 (less than 1 cent) at a time!
Not only was this trip my first trip to any ‘quilting’ event, but it was also my first solo trip abroad, my first trip to the other side of the world.
I loved the fact that wherever I went, I was greeted with a warm hug and a dazzling smile. People went out of their ways to help me, make me feel at home.
The quilts at Quiltcon were mind blowing. Up until this point, when I said my quilts were the best, nobody could challenge me. There was nothing I could compare my quilts with. This trip not only gave me a point of reference, but also gave me an opportunity to learn how to improve my work and take it up a notch. The quilt show at Austin was and eye opener for me. I spent hours looking at the quilts (sometimes even bunking the lectures I had signed up for), totally under their spell. I met the people who had made them, talked to them and loved how open and generous they were.
I came back with bag full of quilting stuff, an empty bank account and a head buzzing with ideas!!!”
Here’s Shruti in front of the quilt she had in the QuiltCon show, which was purchased! It is actually Braille.IMG_2960
 Shruti has quite a sense of humor. This is evidenced by the following quilt of hers, and also by a tattoo she had put on her wrist while she was in Texas.
I took this photo when Shruti came to my longarm studio, this is her piece of Steve Jobs that she gave her brother, a fan of his. Shruti was a natural on the longarm, as I suspected she’d be!
I hope you’ve enjoyed reading about Shruti. I look forward to continuing our relationship and hearing about what she’s doing in the quilt world. I expect more great things from her!
Who knows, maybe one day I will travel to India and visit her and her beautiful country.
Her blog:
She is also on Facebook, of course!