New Year’s greetings from me, Christine, to all of you! I hope you’re enjoying (or recovering from) the holiday festivities and are looking forward to a fresh year. If you aren’t already relaxing, I invite you to do so now while I show you one of my favorite special effects, luminosity. In my first post I wrote about luster—the sense of light striking the surface from above or from the side. With luminosity, the light and warmth come from beneath the surface.
I stumbled on the concept of luminosity while playing with transparency. As I was working on a mock-block exercise, I said to myself, “Oh my gosh, that block looks, well, it looks luminous!” As I worked with the concept more, I came up with a luminosity recipe—when you surround a relatively small area of warm, medium-value, intense color with a larger area of cooler, darker, duller color, you can create the illusion of glow. I can’t begin to tell you how much quilters respond to this effect—when it works, we all say, “Wow!”
Let me begin by defining value, temperature, and intensity. Value is about how light, medium, or dark color is. Temperature is about how warm or cool color is; yellow, red, and orange are warm, while green, blue, and violet are cool. Intensity is about how bright or dull color is; neon green is intense, while sage green is low-intensity.
The three fabrics on the right below pulsate with warmth and light, making them great for creating luminosity. Surrounding them with the three fabrics on the left would enhance their luminosity. (The middle two fabrics got into the act because I loved them.)Woven plaids like the one below look luminous on their own. When you fussy cut them to isolate the warm color, then surround it with cooler color, it’s as if candles burn brightly beneath the surface. The same woven plaid, in a different colorway, used just in the center of this block. (This image looks so soft because I framed the block using nonglare glass.)“Airy” batiks are great for suggesting luminosity, and the colors can be a mix of warm and cool. The dappling in the center batik also suggests distance because a light-value fabric will recede when surrounded by a darker-value fabric.
This cut-and-paste block shows how a combination of different fabrics—woven plaid, woven stripe, batik stripe, and ombré—makes a luminous block more interesting. And finally, sometimes it’s hard to differentiate between luminosity and luster. Look again at the pillow at the start of this post. Do the circles suggest light striking and bouncing off the surface, or light and warmth emanating from beneath the surface? (The circles are cut from a Caryl Bryer Fallert “Gradations” ombré, and the solids are Kaffe Fassett shot cottons.)
What about the blocks below, where the ombrés and Marci Derse prints switch places? These are the things I love to ponder, and I hope you find them just as enticing. I’d love to hear what you want to learn about color. Let me know your thoughts, your questions, and I’ll explore them in future posts. The New Year is the perfect time to play with new colors and concepts. Let the creativity—and the fun—begin!